One of the names that crops up regularly in our upcoming Thriller Index is that of Arnold Beauvais. He was the main artist for Super Detective Library, contributing from almost the beginning—his first cover appearing on issue 7 (July 1953) and his last on issue 112 (September 1957). In all he produced 89 covers for Super Detective, almost half the total for that paper's 188 issue-run and included an uninterrupted run between issues 14 and 49 (October 1953 to March 1955).
Sadly, it seems that none of his covers have survived the years and we could find no examples of original artwork to include in The Thriller Index. To redress the balance a little, as his work on Super Detective Library certainly deserves some recognition, here's a little background on Beauvais, illustrated with some of his covers.
Arnold Victor Beauvais was the third child of Charles Henri Beauvais, a talented painter born in Marseille in 1860 or 1861 (not 1864 as some record). After training in Paris, Charles came to England where, in 1882, he married Emily Annie Corfield in Dartford, Kent. Charles and Annie went on to have six children: Daisy (1882-1980), Raoul Ernest Jules (1884- ), Arnold Victor, Reginald Louis (1888-1921), Charles Frederick (1895-1960) and Delphine Henriette (1905-1991). Charles certainly encouraged his children's artistic talents: Daisy was listed as an artist (sculpture) in census records and Charles Frederick Beauvais became an industrial designer, working in the car industry in England and Australia before setting up his own company.
The Beauvais family was raised in Lewisham and Streatham, their father working as an artist and lithographer from home. Arnold, born in Catford on 13 April 1886, began working in his father's studio at the age of 14 whilst studying art during the evenings at Bolt Court Art School, Fleet Street.
In 1903, Charles returned to France, taking his whole family with him. In Marseilles he opened a commercial art studio. Arnold, meanwhile, spent sixteen months studying in Paris before joining his father's studio.
Charles died in Marseilles in 1909, aged only 48 (some sources say 1911), and Arnold took over the management of the studio for the next few years. He returned to England in 1913, renting a studio in Chancery Lane, and produced artwork for a wide range of clients, including J. Lyons, R.K.O. Radio Pictures, Black & White Whisky, Warner Bros., Walt Disney Co., Youngers Scotch Ales and many others. His illustrations and cartoons appeared in adverts, on film posters, in magazines and on jigsaw puzzles.
His most famous advertising campaign was probably the 'Where's George?—Gone to Lyonch' campaign for Lyons' Teashops in the mid- to late-1930s. The catchphrase caught on and was often used wherever anyone was missing; it even inspired a film starring comedian Sydney Howard which, lacking a character called George, is better known nowadays as Hope of his Side (1935).
Beauvais was so successful in his career that it allowed him not only to paint for pleasure but to indulge in his other hobby, singing. He made his debut as the King in Prince Ferelon; or, The Princess's Suitors at the Florence Etinger School of Opera in November 1919 and then played Sarastro in The Magic Flute at the Old Vic (1920); his other appearances at the Old Vic included Ferrando in Il Trovatore (1922?), King Mark in Tristan and Isolde (1923), the King in Fete Galante (1924) and Aida (1925) and a soldier in Carmen for the Old Vic's reopening in 1928, as well as appearing in Figaro later that year. Beauvais also performed in Don Giovanni at the Coliseum (1924) and in performances of Rigaletto, Lohengrin, Faust and others. Beauvais also designed a famous poster in 1921 when the Old Vic, in Waterloo Road, London, appealed for £30,000 in donations to bring the theatre up to safety regulations.
He also sang on the radio in its early days of broadcasting from Savoy Hill and made several recordings for Columbia.
The work he produced for film distribution companies included posters for many famous films, including The Hunchback of Notre Dame, Swiss Family Robinson, Ip in Arms and all the subsequent Danny Kaye films. He regularly painted posters for Walt Disney, including Snow White, Bambi, Treasure Island, Robin Hood, Alice in Wonderland, Hans Anderson, Peter Pan and a host of Disney's nature films. The success of the films meant that this work was often used to illustrate the associated "book of the film" titles that were produced by Colllins.
His involvement with the film world began in the mid-1930s and lasted for two decades, during which time he also produced a highly successful series of caricatures of famous film stars for the magazine Film Weekly, using an air-brush technique that was little used at the time.
Beauvais was also teacher at the Bolt Court Art School, his old alma mater, in the 1930s. He was also a member of the London Sketch Club from 1929; he was elected President in 1936 and was subsequently a Life Member.
His association with Super Detective Library slowed down from 1956, in which year Beauvais reduced his commercial commitments in order to concentrate on oil paintings. In around 1959, he began colouring a two-page spread in the nursery comic Jack and Jill which was drawn primarily by Walter Booth; the spread, entitled 'There Was an Old Woman who Lived in a Shoe' depicted various scenes of what the children got up to; Beauvais took over the strip in 1960 when it was renamed 'The Children Who Lived in the Shoe' and continued the panoramic illustrations for about a year. He was later able to give up commercial work entirely but continued to paint purely for pleasure.
Beauvais was married in 1922 to Dorothy Agnes Baines at Hampstead, with whom he had three children: Yvonne Gladys (1923-1980), Daphne D. (1926- ) and Thomas C. V. (1932- ). Dorothy died in 1935 and Beauvais remarried in 1939 to Ella May K. Gosling at Staines, with whom he had Walter John (1942-1998), who was also a widely exhibited painter, and Clive R. (1945- ).
Arnold Beauvais died in Surrey on 22 April 1984, aged 97.
(* Super Detective Library © IPC Media.)
Monday, February 28, 2011
Friday, January 28, 2011
News from Book Palace Books
We're pleased to announce that the latest batch of Book Palace Books are now in the hands of our printers and will be released as soon as they're shipped to the UK. There have been a number of delays that have caused a slight slippage with the schedules. It started in December with the proofs... it took longer than expected to get a sample of the Wulf the Briton leather slipcase and this delayed the proofing of the book; there was a second delay because the proofs sent were not on the paper requested, which meant a second set of proofs on the correct paper had to be shipped across from Hong Kong.
Peter Richardson, who has put the Wulf book together, made some corrections to some of the colour pages, ironing out small defects and making some further colour correction.
Hopefully you'll applaud our efforts at quality control and save your boos and hisses for the postal delivery company who refused to do any pick-ups in the area Peter lives during the snowy weather.
Once the proofs were returned to China, the printer insisted on sending out a second set of proofs on the pages that had been corrected; these were duly signed off. One bit of good news is that the delay has meant some additional scans from original artwork have been included in the Wulf book
Even after the proofs were returned, a further additional page surfaced courtesy of Paul Stephenson of PS Books. As a special thanks to those of you who have pre-ordered the book, the first 200 copies will therefore have an additional print, the same dimensions as the original Express Weekly comic, of this stunning piece of original Ron Embleton artwork depicting Wulf and his companions in the thrall of Viking invaders.
As many of you will be aware, Chinese New Year begins on 3 February and the celebrations last for 15 days during which time many businesses close down or are working with skeleton staff. For us this means that our books will not ship until the end of February and their arrival in the UK is expected at the end of March. It usually takes 2-3 days to clear customs and ship from the port to the Book Palace warehouse in Crystal Palace, so we are expecting copies to arrive around 31 March.
With this in mind, the pre-publication discounts for anyone ordering the books has been extended. For more details visit the Book Palace Books webpage.
As I'm involved in two of the books and straining at the leash to see the third, I can appreciate the frustration felt by everyone at all the delays. We're all looking forward to getting our hands on the books and I'm convinced that, thanks to the efforts everyone has put in, they will be well worth the wait.
Peter Richardson, who has put the Wulf book together, made some corrections to some of the colour pages, ironing out small defects and making some further colour correction.
Hopefully you'll applaud our efforts at quality control and save your boos and hisses for the postal delivery company who refused to do any pick-ups in the area Peter lives during the snowy weather.
Once the proofs were returned to China, the printer insisted on sending out a second set of proofs on the pages that had been corrected; these were duly signed off. One bit of good news is that the delay has meant some additional scans from original artwork have been included in the Wulf book
Even after the proofs were returned, a further additional page surfaced courtesy of Paul Stephenson of PS Books. As a special thanks to those of you who have pre-ordered the book, the first 200 copies will therefore have an additional print, the same dimensions as the original Express Weekly comic, of this stunning piece of original Ron Embleton artwork depicting Wulf and his companions in the thrall of Viking invaders.
As many of you will be aware, Chinese New Year begins on 3 February and the celebrations last for 15 days during which time many businesses close down or are working with skeleton staff. For us this means that our books will not ship until the end of February and their arrival in the UK is expected at the end of March. It usually takes 2-3 days to clear customs and ship from the port to the Book Palace warehouse in Crystal Palace, so we are expecting copies to arrive around 31 March.
With this in mind, the pre-publication discounts for anyone ordering the books has been extended. For more details visit the Book Palace Books webpage.
As I'm involved in two of the books and straining at the leash to see the third, I can appreciate the frustration felt by everyone at all the delays. We're all looking forward to getting our hands on the books and I'm convinced that, thanks to the efforts everyone has put in, they will be well worth the wait.
Wednesday, December 29, 2010
The Thriller Libraries Index Story
The Thriller Libraries Index Story
By Steve Holland
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| Original hand-lettered cover art for volume 1 of the first (1991) edition by Ali Cottee, based on James E. McConnell's cover for TPL 22 |
We're back in 1983!
An exciting year for me: I had my first article published that year and completed my first book (although the latter took some years to appear); I was also rediscovering my love for comics via the Association of Comics Enthusiasts (A.C.E.) which was run by Denis Gifford. I had discovered this wonderful club back in the late 1970s when helping Phil Harbottle and his search for stories by British science fiction writer John Russell Fearn. Phil was based in Newcastle and I was based in Chelmsford and had far easier access to the British Library. There were certain magazines that Phil believed Fearn had contributed to and I was able to rediscover some of Fearn's more obscure stories amongst the dustier tomes held by the library, some of which probably hadn't been looked at since they were deposited back in the 1940s. Phil compiled a listing of Fearn's contributions for various Gerald G. Swan magazines for Denis in 1979 and I was given a co-credit, the first time I saw my name in print.
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| Original hand-lettered title page of the same volume. You can see how much Tippex it took to clean up the photocopied panel of artwork. |
The little box ad was published in January 1984 and I got one response from a chap called John Allen-Clarke who phoned the number I'd given only to discover that I was out of the country - my first ever holiday abroad, cycling in Holland with a mate of mine who ended up in hospital with appendicitis! But that's another story.
The contact with John led to starting up many of the indexes that were published in the 1990s as I scoured his collection for information. In the 1980s I also contacted like-minded collectors who were interested in gathering info. or were willing to share information they had already put together, which led to some of the earliest comprehensive listings of British comics; I think we were beaten to the punch by Ray Moore's The Beano Diaries, which came out in 1990, and some fairly solid listings had appeared in various magazines over the years. But I like to think we - because I was rarely compiling these things on my own - did a good and comprehensive job on some of the best titles that appeared in the 1950s, '60s and '70s.
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| Original copyright page |
Over the winter months of 1990/91 - 20 years ago - we put the finishing touches to the first of these indexes cover the first 150 issues of The Thriller Library. Looking back at it now, the resulting volume looks a bit amateurish. Although the text was laid out on a computer - which I supplied on a 3 1/4 inch floppy disc (remember those?) - the end product was still a photocopied booklet, so while we were able to reproduce every cover, they were photocopied in b/w and reduced in size to create master pages which were themselves photocopied to create the finished booklets. The picture reproduction was awful!
As each copy was individually hand-made by Bryan, the various indexes produced worked out very expensive. Yet they sold reasonably well - for what they were - and over the years I've been asked whether I have copies for sale. I think the authors - I usually worked in tandem with David Ashford and Ray Moore - only ever got one or two copies apiece.
Twenty years on I'm very happy to say that we're only weeks away from seeing printed copies of the new Thriller Libraries Index. Not only does it radically update the original Thriller Index but it also includes revisions for the Super Detective Library and Cowboy Comics volumes that followed Thriller in 1992 and 1993 respectively. Twenty years on we know a lot more about the artists and even the authors of these old libraries and the complexities of their publication. For the first time the history of these libraries can be found and followed in a single volume, from their origins in comic books designed for the Australian market all the way through to the spin-off annuals and books.
What I'm particularly proud of is that we've managed to gather together the widest possible selection of original artwork, as well as complete sets of cover images for everything indexed. That's over 1,000 images in total, with much of the original artwork reproduced one cover to the page. The book is full colour throughout and I'm confident our printers in Hong Kong will make it one of the best-looking books we've produced.
I'm looking forward to having copies of the book finally in my hands. I hope you are, too.
Tuesday, November 30, 2010
Proofs
We're getting closer and closer to publication. I'm pleased to say that proofs for all three of the upcoming Book Palace Books' releases have arrived, been checked, corrections made and proofs returned. Peter Richardson has covered the arrival of the proofs for Wulf the Briton with great excitement over on his blog, saying: "To say this book has been a labor of love would be something of an understatement, but when Book Palace Books received a ginormous box of the printer's proofs to this volume the excitement was palpable. The book is costly but the results I think will justify the price, which even for the signed and lettered ultra-deluxe edition is still less expensive than buying a piece of Wulf artwork (if you can find one) or attempting to buy the complete run of Express Weeklys showcasing Ron Embleton's amazing artistry on this strip."
As Peter has stated, the scanning and retouching of the artwork for this volume has been painstaking and Peter has rescanned and reworked a number of pages that he was less than happy with to make sure the final volume will be as perfect as humanly possible. He's not the only one to do this... we did a run-off of the Wells Fargo pages a month or so ago and decided some of the pages were looking a little washed out in comparison with other pages due to the way we had to do the scanning (the strip started as straight line work and subsequently switched to line and wash). The problem was quickly sorted out, as were a few last minute corrections to the Thriller Index. I've also seen a print out of Wells Fargo on the paper the printer in Hong Kong was able to source and it looks fantastic.
Which means that the books have now been cleared for publication. As printing and shipping will take around six weeks it looks like the books will be appearing mid or late January, which should give you a chance to let the turkey sandwiches and mince pies settle before you try lifting that massive leatherbound copy of Wulf.
As Peter has stated, the scanning and retouching of the artwork for this volume has been painstaking and Peter has rescanned and reworked a number of pages that he was less than happy with to make sure the final volume will be as perfect as humanly possible. He's not the only one to do this... we did a run-off of the Wells Fargo pages a month or so ago and decided some of the pages were looking a little washed out in comparison with other pages due to the way we had to do the scanning (the strip started as straight line work and subsequently switched to line and wash). The problem was quickly sorted out, as were a few last minute corrections to the Thriller Index. I've also seen a print out of Wells Fargo on the paper the printer in Hong Kong was able to source and it looks fantastic.
Which means that the books have now been cleared for publication. As printing and shipping will take around six weeks it looks like the books will be appearing mid or late January, which should give you a chance to let the turkey sandwiches and mince pies settle before you try lifting that massive leatherbound copy of Wulf.
Monday, October 25, 2010
Wulf the Briton
The final details of the Book Palace Books reprint of Ron Embleton's Wulf the Briton have been finalised and we're pleased to announce a special offer on the book: anyone pre-ordering the hardcover or leatherbound slipcase edition can, for a limited time only, get a substantial discount.
Here are the details...
At last, all of Ron Embleton's Wulf the Briton stories from Express Weekly and the Annuals in large format, gloriously reproduced in colour to the highest standard.
Wulf the Briton was without doubt Ron Embleton's comic masterpiece after he took over the strip - which was a single page cover feature on Express Weekly - in 1957.
The workload that Embleton undertook with Wulf was formidable. In comparison to Frank Hampson, who had a studio and assistants to help meet the weekly Dan Dare deadlines, Embleton just had himself to draw, letter and paint the feature. However Embleton was unfazed by such considerations and within a few months he was also writing the strip and steering it in a much more historically credible direction, as well as adding an extra page to the strip!
Ron Embelton's Wulf the Briton
DELUXE HARDCOVER EDITION LIMITED TO 400 COPIES WORLDWIDE
Available December 2010
Artist: Ron Embleton
Author: Ron Embleton
Publisher: Book Palace Books
Publication Date: December 2010
First Edition.
Pages: 352 pages
Size: 11" x 14" (270mm x 360mm)
Format: Hard Cover. 400 numbered copies worldwide
Illustrations: Full Colour
ISBN: 9781907081132
Price RRP £125
Special PRE-Publication Price £95 ALL PRE PAID ORDERS SAVE £30.
For a limited period we are offering a SPECIAL discounted price of £95 per book. Only ONE copy per customer.
Ron Embelton's Wulf the Briton
DELUXE LEATHERBOUND AND LEATHER SLIPCASED EDITION LIMITED TO 100 COPIES with an extra 24 pages showing original Wulf art.
Artist: Ron Embleton
Author: Ron Embleton
Publisher: Book Palace Books
Publication Date: December 2010
First Edition.
Pages: 376 pages
Size: 11" x 14" (270mm x 360mm)
Format: Leatherbound book and Leather slipcase. 100 Numbered copies worldwide
Illustrations: Full Colour
ISBN: 9781907081149
Price RRP £325
Ron Embelton's Wulf the Briton
DELUXE LEATHERBOUND AND SLIPCASED EDITION LIMITED TO 26 LETTERED COPIES with an extra 24 pages showing original Wulf art plus original art reproduction of the famous battle scene, scanned from the original art
Artist: Ron Embleton
Author: Ron Embleton
Publisher: Book Palace Books
Publication Date: December 2010
First Edition.
Pages: 376 pages
Size: 11" x 14" (270mm x 360mm)
Format: Leatherbound book and Leather slipcase. 26 Lettered copies worldwide
Illustrations: Full Colour
ISBN: 9781907081156
PRICE RRP £350
Here are the details...
At last, all of Ron Embleton's Wulf the Briton stories from Express Weekly and the Annuals in large format, gloriously reproduced in colour to the highest standard.
Wulf the Briton was without doubt Ron Embleton's comic masterpiece after he took over the strip - which was a single page cover feature on Express Weekly - in 1957.
The workload that Embleton undertook with Wulf was formidable. In comparison to Frank Hampson, who had a studio and assistants to help meet the weekly Dan Dare deadlines, Embleton just had himself to draw, letter and paint the feature. However Embleton was unfazed by such considerations and within a few months he was also writing the strip and steering it in a much more historically credible direction, as well as adding an extra page to the strip!
Ron Embelton's Wulf the Briton
DELUXE HARDCOVER EDITION LIMITED TO 400 COPIES WORLDWIDE
Available December 2010
Artist: Ron Embleton
Author: Ron Embleton
Publisher: Book Palace Books
Publication Date: December 2010
First Edition.
Pages: 352 pages
Size: 11" x 14" (270mm x 360mm)
Format: Hard Cover. 400 numbered copies worldwide
Illustrations: Full Colour
ISBN: 9781907081132
Price RRP £125
Special PRE-Publication Price £95 ALL PRE PAID ORDERS SAVE £30.
For a limited period we are offering a SPECIAL discounted price of £95 per book. Only ONE copy per customer.
Ron Embelton's Wulf the Briton
DELUXE LEATHERBOUND AND LEATHER SLIPCASED EDITION LIMITED TO 100 COPIES with an extra 24 pages showing original Wulf art.
Artist: Ron Embleton
Author: Ron Embleton
Publisher: Book Palace Books
Publication Date: December 2010
First Edition.
Pages: 376 pages
Size: 11" x 14" (270mm x 360mm)
Format: Leatherbound book and Leather slipcase. 100 Numbered copies worldwide
Illustrations: Full Colour
ISBN: 9781907081149
Price RRP £325
Special PRE-Publication Price £250 ALL PRE PAID ORDERS SAVE £75.
For a limited period we are offering a SPECIAL discounted price of £250 per book. Only ONE copy per customer.
Deluxe Leatherbound in leather slipcase edition limited to just 100 NUMBERED copies with an extra 24 pages showing original Wulf art.
For a limited period we are offering a SPECIAL discounted price of £250 per book. Only ONE copy per customer.
Deluxe Leatherbound in leather slipcase edition limited to just 100 NUMBERED copies with an extra 24 pages showing original Wulf art.
Ron Embelton's Wulf the Briton
DELUXE LEATHERBOUND AND SLIPCASED EDITION LIMITED TO 26 LETTERED COPIES with an extra 24 pages showing original Wulf art plus original art reproduction of the famous battle scene, scanned from the original art
Artist: Ron Embleton
Author: Ron Embleton
Publisher: Book Palace Books
Publication Date: December 2010
First Edition.
Pages: 376 pages
Size: 11" x 14" (270mm x 360mm)
Format: Leatherbound book and Leather slipcase. 26 Lettered copies worldwide
Illustrations: Full Colour
ISBN: 9781907081156
PRICE RRP £350
Note only a fraction of these 26 copies are available to the public. Only ONE copy per customer.
Deluxe Leatherbound in leather slipcase edition limited to only 26 LETTERED copies with an extra 24 pages showing original Wulf art and a reproduction of the original art for the famous battle scene, scanned from the original art.
Deluxe Leatherbound in leather slipcase edition limited to only 26 LETTERED copies with an extra 24 pages showing original Wulf art and a reproduction of the original art for the famous battle scene, scanned from the original art.
Monday, October 18, 2010
The Don Lawrence Westerns
You'll find full publishing info. for the latest book from Book Palace. The Don Lawrence Westerns contains the complete run of two classic Don Lawrence strips never previously reprinted in English, and only partly reprinted elsewhere in the world. And all customers who pre-order the book will receive a free, numbered, limited edition colour print by Lawrence.
Here are the details...
The Don Lawrence Westerns
Limited edition
Artist: Don Lawrence
Author: Kelman D. Frost
Publisher: Book Palace Books
Publication Date: December 2010
Pages: 208 pages
Size: 220mm x 297mm
Format: Hard cover
Illustrations: B&W
ISBN: 9781907081064
Price RRP £25
Wells Fargo and Pony Express—all the exploits of the men driving and protecting the mail stages and their passengers. Wyatt Earp rode shotgun for Wells Fargo in Arizona, Wild Bill Hickok was a coach driver for the Pony Express and even Apache leader Cochise worked as a woodcutter for the Overland Mail.
This is a limited edition hard cover strictly limited to 700 copies worldwide.
Here are the details...
The Don Lawrence Westerns
Limited edition
Artist: Don Lawrence
Author: Kelman D. Frost
Publisher: Book Palace Books
Publication Date: December 2010
Pages: 208 pages
Size: 220mm x 297mm
Format: Hard cover
Illustrations: B&W
ISBN: 9781907081064
Price RRP £25
Wells Fargo and Pony Express—all the exploits of the men driving and protecting the mail stages and their passengers. Wyatt Earp rode shotgun for Wells Fargo in Arizona, Wild Bill Hickok was a coach driver for the Pony Express and even Apache leader Cochise worked as a woodcutter for the Overland Mail.
This is a limited edition hard cover strictly limited to 700 copies worldwide.
For a limited period for ALL pre paid orders we are giving away a FREE numbered limited edition full colour print of a western bar scene by Don Lawrence (illustrated above). This is a numbered high quality print of just 150 copies. These are available while stocks last.
Monday, October 11, 2010
The Thriller Index
Full publication information for volume 2 of the Fleetway Picture Library Index are now in.
The book is in a similar size and format to the previous War Libraries volume but—and it's a BIG but—the Thriller Libraries will be bigger, at 284 pages, and is printed in full colour throughout.
Here are the full details...
The Fleetway Picture Library Index Volume 2
The Thriller Libraires
Artist: Various
Author: Compiled by David Ashford and Steve Holland
Publisher: Book Palace Books
Publication Date: December 2010
Pages: 284 pages
Size: 185mm x 250mm
Format: Flexi Cover
Illustrations: Full Colour
ISBN: 978-1-907081-05-7
Price RRP £30
This eagerly waited book is the second in a series of 3 volumes chronicling the full credits of all Fleetway Picture Libraries and contains a complete index of artists and writers for Thriller Picture Library, Cowboy Picture Library and Super Detective Library.
Every issue is covered as well as the Robin Hood, Kit Carson and Buck Jones Annuals, as well as full credits for all Australian editions and many other associated comics. Packed with colour illustrations of every cover as well as reproductions of cover and interior original art, by Sep. E. Scott, John Millar Watt, Patrick Nicolle, Alex Raymond, Ron Turner, Derek Eyles, Cecil Doughty, H. M. Brock, Eric Parker, Carlos Roume, Arturo del Castillo, Jesus Blasco, Ferdinando Tacconi, and many more.
Included in this volume is an unprecedented number of reproductions of original cover art and interior art pages, never before seen.
Years of research have gone into producing this definitive, luxurious guide to these legendary British comics. A TRUE collector's treasure.
The book is in a similar size and format to the previous War Libraries volume but—and it's a BIG but—the Thriller Libraries will be bigger, at 284 pages, and is printed in full colour throughout.
Here are the full details...
The Fleetway Picture Library Index Volume 2
The Thriller Libraires
Artist: Various
Author: Compiled by David Ashford and Steve Holland
Publisher: Book Palace Books
Publication Date: December 2010
Pages: 284 pages
Size: 185mm x 250mm
Format: Flexi Cover
Illustrations: Full Colour
ISBN: 978-1-907081-05-7
Price RRP £30
This eagerly waited book is the second in a series of 3 volumes chronicling the full credits of all Fleetway Picture Libraries and contains a complete index of artists and writers for Thriller Picture Library, Cowboy Picture Library and Super Detective Library.
Every issue is covered as well as the Robin Hood, Kit Carson and Buck Jones Annuals, as well as full credits for all Australian editions and many other associated comics. Packed with colour illustrations of every cover as well as reproductions of cover and interior original art, by Sep. E. Scott, John Millar Watt, Patrick Nicolle, Alex Raymond, Ron Turner, Derek Eyles, Cecil Doughty, H. M. Brock, Eric Parker, Carlos Roume, Arturo del Castillo, Jesus Blasco, Ferdinando Tacconi, and many more.
Included in this volume is an unprecedented number of reproductions of original cover art and interior art pages, never before seen.
Years of research have gone into producing this definitive, luxurious guide to these legendary British comics. A TRUE collector's treasure.
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